GOING TO FLORIDA, FLORIDA FLORIDAAA

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GOING TO FLORIDA, FLORIDA FLORIDAAA

 - Linda Belcher, Bob's Burgers

/inhales
OHHHHHH DUUUUUUNNNNKKKKKKKK I AM GOING TO GUARDIANCON 2018!!!!!

I am going to sell art there!* It is a huge event for me. It's a huge event for them. It will be a huge audience. I am bringing original works and Destiny themed works. I have been working nonstop on this and other paintings and design works for the last 3 weeks now. 

Ace of Spades - 42x36" acrylic and mixed media, hand painted on canvas.

I want to describe some fairly serious stuff in this post, and ask a really big favor. I'm very interested in feedback on all of it. Please use the comments or e-mail me, especially if you know me or received a separate e-mail about this.

I have to admit that I fell into a funk after I left my IT career in April. I finished a few works in April and May, but I largely felt unmotivated and anxious about stepping up to do any work. But since June started (and I hit rank 60 Dead Orbit to get that Graviton Catalyst...) I've finished nearly a dozen new works already and have plans to finish another five within the week. I'm submitting to shows. Submitting to publications and for art prizes. It is great. The culmination of my work, whether I spent it wisely or not, will be GuardianCon.

And as some of you who will read this know, the weekend after I left my previous job, my father became fairly ill. I won't share his details, because that's his story and his right to share those details. I bring it up only to note how deeply it affected me. It compounded a lot of things that I was already struggling with and I wasn't prepared for the confluence of them. I think I fell into actual depression. Upon reflection, without the requirements of a full time job, and with time as a catalyst for introspection, I think I can now admit that this has happened many times. I'm not sure that it's clinical. I'm not sure it needs a doctor. But I'll interrogate that personally and seek professional help as soon as it is possible. Some great friends and family have already offered some amazing support and that is buoying at least and functional and productive at top tier.

Right now, I'm optimistic and I have a plan. Attending GuardianCon and making rent for August, September and even beyond may in fact be incredibly feasible- off of only one event. It may just be the perfect opportunity. It is also a long shot. Critically, it relies on the kindness of others to a degree that some may feel I do not deserve and that I know I haven't been the most reciprocal on in the past, but which I need now, desperately. And of course, I have backup plans. I even have a Plan C. But this convention and this opportunity might change my life forever and even if I have to scrape and beg and sell my possessions, I'll get there.

I'll be public about this every day until it works. Hopefully, it will be off the ground and flying by the end of this week. And I'll ride this torpedo to the very end.


* - Full, explicit disclosure: I cannot afford to go, yet. Please read more below if you want to help me get to the convention through commissions or donations.


I also have a big family event in Florida that weekend, and I am going to have to spend like 30+ hours in the car over a period of about 4 days in order to make this all work. But it's going to be worth it! I can feel it. Buuuut... It's also going to be tough, because I need to raise funds to get to the con and possibly produce more work.

So. July 13th and 14th, I'm going to be selling art at GuardianCon (the 14th is up in the air, if I can get some help from a friend or two to watch the booth) in Tampa, Florida. I also hope I get to play some Gambit before the release in September... and pee while my belongings and art stays safe at the convention... you know, logistics.

I have a 6x10 booth on the main floor with all of the other vendors. I will be with at least 15-20 other artists. Only a handful went last year and it SOLD OUT (see: @broman on DCP Podcast #89 -- Ed.). I chose to take the opportunity (and risk, definitely risk) to obtain my booth ASAP. Secure that spot. I heard recent episodes of DCP and I got stoked, so some other artists did too, and time and space are finite.

I think Bungie's recent updates and announcements have revitalized the community and the players. I get a very hopeful vibe from the parts of the community that I do interact with on twitter (a few other artists, podcasters, etc). 

Also, in the spirit of GuardianCon, I'm going to be contributing 20% of all sales at the convention (and the lead-up) to St. Judes Children's Research Hospital. I'm also working on some plans to possibly marathon some paintings live in the lead-up to the con to raise even more money- I'm a noob at video though, so that might be... rough...

SO. Add that all up. Opportunity. Charity. Positivity. Availability. Potential. 

I'm so stoked. This represents an opportunity for me show my work to a new and massive audience, allowing me the opportunity to continue working as an artist full time. It feels like a wonderful confluence.

It sucks that I couldn't extend my runway as long as I needed. It sucks that I feel like two months vanished into too-long sleeps and 3+ hour hikes with the dog, ear buds blocking everything out. Maybe that was healthy. I came through it. But time's arrow marches inexorably forward.

All that said, I do need help. If you're willing to pitch in, please hit me up for a commission. Or if you're feeling particularly generous, please visit my gofundme.


I'm glad I have time to explain this. Thanks for reading. For those of you who got this far and loved The Stranger in D1 as much as I did, here's a 2K wallpaper I made of her.

Also, I've posted a Variate/irrezolut Ghost with Hakke colors, that I'm using to do some promos for, well, all of this.

Destiny 1 2K Wallpaper - No Time to Explain

Detiny/Variate/irrezolut Ghost (with Hakke colors)

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MIDA & Ace of Spades

MIDA & Ace of Spades

In an extension of my post from yesterday, I'm also working hard on some pieces of art inspired by the Destiny universe.

I've always been a huge fan of the way that Bungie crafts weapons with stories. Even in Halo, there was so much lore and great design in the gear. Destiny is one of those rare games that has gripped me hard. I've played hundreds of hours, starting in October when D1 was released.

Below are two acrylic/mixed media paintings. The first is of my favorite scout rifle- the MIDA Industries Multi Tool. And as a special tribute to my favorite Vanguard, Cayde-6, the Hunter Vanguard who I will be avenging come September... The Ace of Spades.

MIDA Multi Tool (D2 "Original", Full) - 36x42"

MIDA Multi Tool (D2 "Original", Detail)

Ace of Spades (D1/Variant) - 36x42"

Ace of Spades (D1/Variant, Detail)

More details are on my paintings page.

JN / IRREZOLUT
PS4 Hunter Main


What am I doing?

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What am I doing?

It's June 23rd, 2018. What am I doing?

Working on 3 paintings that are each potential entries for the Beautiful Bizarre Art Prize.
(Only one can be sent to consider for the prize. The others, along with another selection, will also be submitted to Beautiful Bizarre for consideration in publishing, as well.) Thanks to some great input from a friend, I'm also considering one older work as well, which has been on loan and up for sale over the years and is one of my favorites- "Smoker". The three in progress works as well as Smoker (2012) are shown below.

Possible Entry 1 - Blue Canvas (New - in progress)

Possible Entry 2 - Yellow Canvas (New - in progress)

Possible Entry 3 - Black Canvas (New - in progress)

Possible Entry 4 - Smoker (2012)


I also just spent the better part of two weeks putting this website together. What I had hoped would be a one or two day sprint of work turned into about 15 days of hard work creating over 20 new pages of content. If it were not for Squarespace, I wouldn't have been able to do this. I fell off of programming for the web a long, long time ago.

I spent a lot of the last 15 days creating images for layout and navigation, but also organizing and re-organizing my portfolio. This last portion ended up being somewhat daunting, but very, very helpful (so much lens correction on photos over a decade old...). I've worked on design and art with some varying professional level since I was about 19, have been a student since I was about 15 and an amateur since I was about 5. I've diligently recorded works since about 2005 and with design and painting projects. Total, it's about 150 design projects, 50 digital print projects and about 100 paintings. In the end, the portfolio I posted encompasses over 200 individual works from 2000 to the present, with many more pieces of branded content for the businesses I've helped found and support over the years.

Including my work as a student, the earliest piece that I'm displaying here on this site (and selling) is from 2000. That's 18 years ago. I remember finishing it in my dad's basement, just after high school. It felt a little bit like a "first album", since it was the first painting I did while in college (at NOVA Loudon)... There are a lot of things I like about this piece, about the concept and the execution... and I've been chasing the successful elements in this pieces ever since. I've done touch up on it probably 10 times, attended two colleges since then, have displayed it for sale nearly ten times... starting in 2001. At 35x56 on heavy canvas, it's huge. I've always asked for a large sum for it because I've always been fond of it and part of me doesn't want to let it go (unless it's for a fairly significant price).

Kadan/Neon | 35x56x2 | Mixed Media on Canvas | 900 USD
An illustration of a damaged neon sign with kanji reading "kadan (resolute)" set atop a splash of collage, typography and painted elements. Tiny slivers of mostly blank canvas run around three edges, like the painting is somehow "offset".

During the past two months since I left my full time IT job, I've worked on about a dozen paintings, some that have been in progress for over a year, some that needed to be covered and re-started and some that were so close to done that a coat of varnish would have finished them off. About eight of these works are fully brand new. Three are now completed and submitted for consideration in Target Gallery's upcoming Juxtaposed show. Another three have been posted for sale on my Etsy shop. The remainder include the works that I am pushing to finish for the art prize mentioned above.

It's important to reflect on how I got here. This is a challenge, because it means taking a hard look at some failures and mistakes as well as some great opportunities that I left on the table at previous moments.

It also means pushing forward. I've gotten some great feedback from some fellow artists and family and friends in the past months. It will be a challenge, but I am going to address it all and try to share as much as possible here, for context if you crave it and for records so that I don't forget.

Thanks for reading. More soon.

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